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From Louis-Jacques-Mandé Daguerre, artist, chemist and physicist, the “daguerreotypes” were born, the first photographic processes.
The need to reproduce reality, capturing its light, initially made use of glass plates. The pinhole cameras of the mid-nineteenth century, with a dark camera without a lens, allowed an infinite depth of field, but with such long exposure times, as to blur any object even in slight movement.
With the advancement of techniques and the experimentation of new languages, photography has also followed the cultural background of contemporaneity. Thus the concept of photography as a work of art was born and the camera becomes the extension of the author’s thoughts and emotions.
The photo is one with the photographer and even with the photographed object, which becomes the subject in a hermeneutic reference.