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There are moments in history, in which the soul feels oppressed together with the body, in the impossibility of experiencing its own metamorphic theater.
Noemi, who lives in a tumult of emotions, characters, theaters and scenarios of the cinema set, nevertheless wants to be a person adherent to herself, identical according to the Socratic principle "know yourself".
Here is that the artist must "be" her own work of art. It is an ontological question. Her identity is at stake, over time and in the forms that change.
In the pandemic, forced within our walls, we experienced the possibility of a return to ourselves.
Noemi, as an artist and actress, has become her interpreter: plumbing the depths of a sort of “zero” moment of the whole world, offended by the pandemic.
To unite those who feel that the human depths are unfathomable, changeable, deconstructible, decomposable, yet always one, like light and silent like darkness.
"Feeling" the work: at the end of time, in silence.
This path of art photography is like taking a journey without traveling, in an attempt to look to the future from a dimension that appears timeless.
The work exists regardless of what we can write about it. The work speaks as an icon, however it is interesting to be able to try to find a mediation, between its pure appearance and the possibility of decoding it through words.
The sound or the word takes shape in the silence, takes shape… in Noemi who thinks and poses.